romeo and juliet play script with line numbers

Scene I A lane by the wall of Capulet's orchard. Published by Samizdat Express, Orange, CT, USAĮstablished in 1974, offering over 14,000 books Julia is 14 jaar.Boodschap van de prins tegen geweld I,1 (“Rebellious subjects, enemies to peace…, p 1012) omschrijving liefde I,1 (“Love is a smoke rais’d with the fume of sighs:/Beining purg’d, a fire sparkling in lovers’ eyes /Being vex’d, a sea nourish’d with lovers’ tears:/What is it else? A madness most discreet,/A choking gall and a preserving sweet.”, 1013)Hoogtepunt: de dialoog Romeo-Julia II,2 en III,5Vlottere taal dan de vorige, maar toch ook stroeve delen opvallend korte, komische entractes. Thema is de roekeloze hartstocht daarom een noodlottragedie: ondergang buiten hun wil om (bij de andere tragedies komt de ondergang door een tekort aan krachten of een gebrek).Huis van Montague tegen het huis van Capulet in Verona. Twee stijlen: hoogdraven-maniëristisch en rijper en sober. Vertaling van Komrij.1595, bekend verhaal, midden XV², maar wel afstand van moralistische behandeling,exuberante poêzie, evolutie van romantische komedie naar tragedie, maar heel vlot alsof het door Shakespeare zelf niet serieus werd bevonden. Publiekslieveling, maar ik vond het niet altijd overtuigend, soms zelfs stroef.

The black shoe and the attendant violent delights.

Would Heidegger smell as sweet? My mind's eye blurs the poise of Juliet with that of Ophelia though no misdeeds await the Capulet, unless being disinherited by Plath's Daddy is the road's toll to a watery sleep. Shakespeare offers insights on loyalty and human frailty as well as the Edenic cursing of naming in some relative ontology. Pacing is a recent phenomenon, 50 episodes for McNulty to walk away from the force, a few less for Little Nell to die. Well, as much agency as smitten couples can manage. The chorus frames matters in terms of destiny, a rumination on Aristotelian tragedy yet the drama unfolds with caprice being the coin of the realm. I can appreciate both concerns but I think such is beyond the point. There is also a disproportionate focus on the frantic pacing in the five acts. Many complain of this being a classic Greek drama adapted to a contemporary milieu. How adroit to have situated such between two warring tribes, under a merciful deity, an all-too-human church and the wayward agency of hormonal teens. It was quite the opposite, as I found myself steeled with philosophy 'adversity's sweet milk' and my appreciation proved ever enhanced by the Bard's appraisal of the human condition. I was prepared to be underwhelmed by a jaded near fifty return to this plethora of love-anchored verse.

Romeo and juliet play script with line numbers